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Bugs and butterflies
Contractor demolishes, renovates Custom House first floor
for museum
By Sam Barnes
Half of the first floor interior of the 150-year-old U. S.
Custom House is being demolished and renovated to accommodate
the New Orleans Insectarium & Butterfly House, a 23,000-sq.-ft.
museum operated by the Audubon Nature Institute.
Roy Anderson Corp. of Gulfport, Miss., should complete the
$21 million Canal Street facility in July.
When opened, the museum will be the largest freestanding
museum in the United States devoted to more than 900,000 known
species of insects. An annual visitation of 428,000 is expected.
David Waggonner, principal architect with Waggonner &
Ball Architects of New Orleans, said the project is considered
an "historical restoration, which means we must restore
it back to its original intent. The most important thing is
that the exhibition sequence has to fit the historical pattern
of the building.
"Audubon worked with the existing carriageway system
to use that as their primary artery for the building."
Dale Stastny, a representative with the Audubon Institute,
said the multi-roomed museum will include numerous exhibits
when opened this summer, including:
- Field Camp - introduces visitors to the world of
arthropods
- Life Underground - shrinks guests to bug size with
oversized exhibitry and gigantic animatronic insects
- Cooking Show and Cultural Café
- Insects of New Orleans and Louisiana
- Bug Show
- Hall of Fame - Preserved examples of the biggest,
fastest and most impressive insects
- Metamorphosis - Examines insect courtship, mating
and life cycles
- Butterflies in Flight Exhibit
Project manager Glenda Bowen of Roy Anderson said early
demolition work required the reopening of original archways
through existing masonry walls, removal of drop-down ceilings,
rerouting of existing utilities and demolition and removal
of concrete slabs.
"To follow the new layout of the museum, it was necessary
to fill in some of the existing wall openings as well as make
new ones," Bowen added. "Anytime we filled in an
opening, we had to build it back to solid brick."
Cutting through the existing 3-ft.-thick walls that enclose
each museum room did not compromise the integrity of the building
because "the walls are architectural, not structural,"
she said. Core drillers were used to cut through the masonry
and brick.
"We're trying to re-use the brick as we remove it,"
Bowen added.
Bricks are placed in a staging area, where they are inspected,
cleaned or disposed of. The brick was in such good condition
that no new ones had been purchased for the project as of
December.
Slab demolition was needed throughout most of the museum
to accommodate new utility lines.
"About two-thirds of the concrete is being removed
to make way for new underground electrical components and
to adjust for elevation changes in the slabs," Bowen
said. Hamp's Construction LLC of New Orleans is breaking the
concrete with a backhoe and transporting it by skid steer
loaders to dump trucks outside the building.
About 10,000 sq. ft. of new concrete is being poured in its
place.
Within the Butterfly House, an additional 2 ft. of soil
is being excavated below the existing slab to make way for
a fishpond that will be the room's focal point.
Three existing carriageways - one running north and south
and two running east and west - will be left in place, although
some of the iron gates that lead into the passages from outside
the building will be replaced.
All of the gates are being glassed in to accommodate the
museum's HVAC system. The passages originally provided access
for carriages in the 1800s.
In another unique twist to the demolition phase, a circa-1918
vault door must be removed from the second floor.
"We have to salvage the vault's 15-ton door, so we'll
cut a hole in the floor and lower the door to the first floor,"
said jobsite superintendent Frank Jenkins. The removal will
be performed early this year.
"We're going to erect an A-frame structure, cut the
floor out below (the first floor ceiling) and lower the door
with 'come-alongs,'" Jenkins added. Two 9-ton forklifts
will transport the door from the first floor room to one of
the building's carriageways.
"Once in the carriageway, a larger forklift will take
the door out of the building," he said.
Other demolition-related work required that small trenches
be hand-dug into the brick columns and ceilings to support
new electrical conduit, then plastered over. Larger conduit
for HVAC ductwork and chillwater lines are being suspended
from the ceilings and shielded by painted metal.
While most of the plaster-over-brick ceilings are being
left in place, contractors are performing "soundings"
to determine the condition of the plaster. King & Co.
Inc. of New Orleans is restoring the plaster found to be brittle.
"Overall, the museum's finishes are not that extraordinary
- primer and paint and that's about it," Jenkins said.
"But there is some millwork to match existing woodwork."
New 5-in.-thick slabs are being poured with 3,000-psi concrete
reinforced with wire mesh and steel. Lafarge of Metairie is
supplying all of the concrete, most of which is being pumped
into place.
Other work includes additions to an existing mechanical
room, construction of mechanical mezzanines, mechanical work
on the second and third floors, and construction of Audubon
administrative offices on the fourth floor.
Also part of the Roy Anderson contract is spot granite repairs
around the exterior perimeter of the building.
About 20 crewmen, on average, are working at the site, including
subcontractors.
Useful Resources
More information about the New Orleans Insectarium &
Butterfly House can be found at: http://www.auduboninstitute.org/insect/
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